Blue Moon
Production work with Decoratelier, a collective workshop focussed on scenography based in Molenbeek, Brussels, as part of their summer festival project ‘Making Time.’ Contributing scenography for two outdoor evening events in collaboration with LYL Radio: ambient focused DJ booth designed and produced in a highly intuitive and immediate 5-hour period - challenging, with elements such as the floating light removed due to time constrains. Working with the idea that most booths feature a front and an [unsightly] back, this challenges traditional ideas of orientation with a structure that asks be appreciated from all perspectives - and one that rotates freely upon a base for maximum versatility. The upper table is removable to facilitate a more subtle installation of a ‘disc’ during music-free periods of performance.
Production work with Decoratelier, a collective workshop focussed on scenography based in Molenbeek, Brussels, as part of their summer festival project ‘Making Time.’ Contributing scenography for two outdoor evening events in collaboration with LYL Radio: ambient focused DJ booth designed and produced in a highly intuitive and immediate 5-hour period - challenging, with elements such as the floating light removed due to time constrains. Working with the idea that most booths feature a front and an [unsightly] back, this challenges traditional ideas of orientation with a structure that asks be appreciated from all perspectives - and one that rotates freely upon a base for maximum versatility. The upper table is removable to facilitate a more subtle installation of a ‘disc’ during music-free periods of performance.
Club Space
Working on the evolution of existing indoor grandstand to club environment; beginning with personal studies in understanding the reorientation of the space from auditorium perspective to rotated club box; generating an overarching direction of dance. Further booth construction to this indoor element; again, continuing themes of monolithic materality and reuse of existing materials found within the workshop and storage areas.
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Working on the evolution of existing indoor grandstand to club environment; beginning with personal studies in understanding the reorientation of the space from auditorium perspective to rotated club box; generating an overarching direction of dance. Further booth construction to this indoor element; again, continuing themes of monolithic materality and reuse of existing materials found within the workshop and storage areas.
Utilising a former bar element on-site as a chassis for a new intervention, the new structure sought to contrast against the raw, flat-toned textures of the room with a more delicate, lucid finish. Repurposed silver sheeting was identified, first explored via fluidly draping over the chassis, before switching to a more practical approach of structural fluidity achieved by timber and then overclad in silver.
Experiments layering with recycled mesh and laser lighting proved to be too distracting, instead opting for a solid silver mass in a similarly honest monolithic materiality as the other interventions (metal grandstand, carpet wall, ...) around the club space.
